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Knight of Cups Visually striking Images and explanation on cinematography

Knight Of Cups Visually Striking Images And Explanation On Cinematography
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kni - Knight Of Cups Visually Striking Images And Explanation On Cinematography

Knight of cups is about   ‘Once there was a young prince whose father, the king of the East, sent him down into Egypt to find a pearl. But when the prince arrived, the people poured him a cup. Drinking it, he forgot he was the son of a king, forgot about the pearl and fell into a deep sleep’.

Christian bale playing a Hollywood careen writer who dissatisfied with his life recalls all life events and tries to find his way.Terry is great in visually striking movies and knight of cups is releasing this year ,below are the interview highlights and can be good for cinematography students

knights - Knight Of Cups Visually Striking Images And Explanation On Cinematography

Terry goes for what he calls a “no-look look.” He doesn’t want it to be warm or cold or especially moody, or light, or anything. He wants it to look as if you were looking through a window. It just should be very natural, which actually is a lot harder to achieve than giving something a look

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Both of the films were shot on 35mm, some 65mm, Arri, GoPro, and a little bit with Red and Blackmagic. GoPro, obviously, has a slightly different look, but it cuts in really well with 35mm, 4K and 65mm. It is amazing how well it works. It’s important to note that Terry shoots with the different cameras to achieve those slightly different looks

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Well, it’s a Terry Malick movie that was shot by Chivo; it’s beautiful stuff. It’s amazing just to sit and watch. I’m lucky to be able to work with these guys. They’re beautiful pictures.

kni9 - Knight Of Cups Visually Striking Images And Explanation On Cinematography
kn - Knight Of Cups Visually Striking Images And Explanation On Cinematography

Challenging? The only challenging thing is that we did this all in clip mode, so everything was in its raw source. There’s two ways you can work on most of these boxes, and in Resolve, they call it either a sequence mode (everything in one sequence) or a clip mode (in its raw form where SAN is pointing to all the different cameras clips). Clip mode is becoming more and more the norm

 

There were certain scenes, such as the ones in nightclubs, where I’m glad I had the raw because I had to go in and change the color temperature settings and exposure settings

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Written by cinemababu

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