cinemababu This Friday is huge for Dc fans and already early reviews are in and some are prasisng action scenes crtics felt that charecters are little bit unconvincing.Read some of the top crtitc reviews
The Independent – Geoffrey Macnab – 3/5
In the final reel, the film begins to unravel. The fight sequences and explosions are well enough choreographed but can’t help but feel anticlimactic. The plotting becomes ever more simplistic. It’s as if the green kryptonite hasn’t just enervated the heroes but the filmmakers themselves. There is also a lingering suspicion that both these superheroes work better when they’re flying solo.
The Guardian – Andrew Pulver – 3/5
It’s tough to take all the hardcore emoting seriously, particularly as the emotional heavy lifting is designed to be done by the occasional maudlin line in brief pauses between the explosions. For a film so concerned with its characters’ inner lives, there’s a fundamental disconnect going on here – enough to make you yearn for the lighter touch of the Marvel films
Empire – Nick De Semlyen – 3/5
There are moments that make the whole enterprise worthwhile, and introduces an intriguing new Batman. But it’s also cluttered and narratively wonky; a few jokes wouldn’t have gone amiss, either.
This superhero-smorgasbord directed by Zack Snyder melts into an electric soup of CGI. Effects are so overused that any conviction explodes in a giant fireball — indeed endless fireballs. The result is an enervating two and a half hours.
The Hollywood Reporter – Tod McCarthy
For his part, Batman is provided with plentiful backstory and psychology, but the mature character, as written, never comes into full bloom; all the same, one can look ahead with some hope to Affleck in the role in future instalments. Cavill is also likeable enough but, again, hamstrung by the twisty, convoluted inventions designed to limit his abilities during long stretches.
Time Out – Joshua Rothkopf – 2/5
If there’s any justice, dawning or otherwise, at the multiplex, audiences will reject Zack Snyder’s lumbering, dead-on-arrival superhero mélange, a $250 million tombstone for a genre in dire need of a break.
Entertainment Weekly – Chris Nashawaty – C+
I get that this mano a supermano story line is a sacred text among comic-book aficionados, but Dawn of Justice doesn’t do the tale any favours. It’s overstuffed, confusing, and seriously crippled by Eisenberg’s over-the-top performance. As the megalomaniac tech mogul hell-bent on bringing our heroes to their knees, the actor is a grating cartoon of manic motormouth tics. He might as well be wearing a buzzing neon sign around his neck that says “Crazy Villain
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